Initial commit
This commit is contained in:
78
skills/cw-story-critique/SKILL.md
Normal file
78
skills/cw-story-critique/SKILL.md
Normal file
@@ -0,0 +1,78 @@
|
||||
---
|
||||
name: cw-story-critique
|
||||
description: Creative writing skill for analyzing and critiquing story content. Use when the user requests feedback, critique, or analysis of their writing. Provides balanced feedback calibrated to intended audience.
|
||||
---
|
||||
|
||||
# Story Critique
|
||||
|
||||
Analyze story content and provide constructive feedback.
|
||||
|
||||
## Process
|
||||
|
||||
### 1. Understand Context First
|
||||
|
||||
Always ask about audience and goals before critiquing:
|
||||
|
||||
```
|
||||
Before I critique this, help me understand:
|
||||
|
||||
1. Target audience? (YA, adult, genre, platform)
|
||||
2. What feedback are you looking for? (big picture, line-level, both, harsh-only)
|
||||
3. Draft stage? (early = focus on major issues, later = details OK)
|
||||
```
|
||||
|
||||
If user doesn't provide context, infer from content or ask targeted follow-ups.
|
||||
|
||||
### 2. Adapt Structure to Story Needs
|
||||
|
||||
**Don't force rigid templates.** Each story needs different things:
|
||||
- Sometimes extensive character analysis, minimal plot discussion
|
||||
- Sometimes pacing is the main issue and everything else works
|
||||
- Sometimes prose quality overshadows other concerns
|
||||
|
||||
**Common areas to consider** (not mandatory):
|
||||
- Plot & structure (causation, stakes, logic)
|
||||
- Character (motivation, consistency, agency)
|
||||
- Pacing & flow
|
||||
- Dialogue
|
||||
- Prose quality
|
||||
- Genre/audience fit
|
||||
|
||||
See `references/critique-areas.md` for detailed breakdowns - this is a reference, not a checklist.
|
||||
|
||||
### 3. Trust Your Analysis
|
||||
|
||||
**Notice what matters, not just what's listed.** If something affects the story but isn't in any reference guide, say it:
|
||||
- Unusual structural choices
|
||||
- Tonal issues
|
||||
- Thematic confusion
|
||||
- Unique voice elements
|
||||
- Anything else relevant
|
||||
|
||||
### 4. Use Web Search When Helpful
|
||||
|
||||
Search when you'd benefit from:
|
||||
- Genre convention verification
|
||||
- Narrative technique terminology
|
||||
- How similar stories handled challenges
|
||||
- Fact checking
|
||||
- Craft advice on specific techniques
|
||||
|
||||
### 5. Calibrate to Context
|
||||
|
||||
- Early draft → big picture issues
|
||||
- Later draft → line-level details OK
|
||||
- Genre matters (thriller vs literary, fanfic vs traditional)
|
||||
- Platform matters (web serial needs hooks, traditional needs opening, fanfic needs canon adherence)
|
||||
|
||||
## Output Modes
|
||||
|
||||
**Balanced** (default): Strengths + areas for improvement + priorities
|
||||
|
||||
**Harsh** (if requested): Focus on problems, minimize or skip strengths section
|
||||
|
||||
**Flexible**: Whatever structure serves this story best
|
||||
|
||||
## Skills are Composable
|
||||
|
||||
Feel free to combine with other skills when helpful - e.g., using cw-official-docs to check canon accuracy during critique.
|
||||
190
skills/cw-story-critique/references/critique-areas.md
Normal file
190
skills/cw-story-critique/references/critique-areas.md
Normal file
@@ -0,0 +1,190 @@
|
||||
# Critique Areas Reference
|
||||
|
||||
This is a reference guide for common areas to examine when critiquing fiction. **This is not a mandatory checklist** - use your judgment about what matters for each story.
|
||||
|
||||
## Plot & Structure
|
||||
|
||||
**What to examine:**
|
||||
- Story structure (three-act, episodic, etc.)
|
||||
- Cause and effect chains
|
||||
- Pacing (too slow, too fast, uneven)
|
||||
- Scene purposes (what changes in each scene?)
|
||||
- Setup and payoff
|
||||
- Plot holes and logic gaps
|
||||
- Stakes and tension
|
||||
- Beginning hook, middle momentum, ending resolution
|
||||
|
||||
**Common issues:**
|
||||
- Saggy middle (lack of momentum)
|
||||
- Rushed ending
|
||||
- Scenes without purpose
|
||||
- Deus ex machina
|
||||
- Convenient coincidences
|
||||
- Stakes not clear
|
||||
- Characters know things they shouldn't
|
||||
- Timeline inconsistencies
|
||||
|
||||
## Character Development
|
||||
|
||||
**What to examine:**
|
||||
- Character motivations (why they do things)
|
||||
- Consistency of personality and voice
|
||||
- Character agency (do they drive the plot?)
|
||||
- Complexity (flaws, contradictions, depth)
|
||||
- Character arcs (growth, change, resistance to change)
|
||||
- Relationships (believable dynamics)
|
||||
- Distinct voices (can you tell characters apart?)
|
||||
|
||||
**Common issues:**
|
||||
- Reactive protagonist (things happen TO them, not driven BY them)
|
||||
- Flat arc (no change or growth when one is expected)
|
||||
- Inconsistent characterization
|
||||
- Characters acting for plot convenience
|
||||
- All characters sound the same
|
||||
- Unmotivated actions
|
||||
- Sudden personality changes without explanation
|
||||
|
||||
## Pacing & Flow
|
||||
|
||||
**What to examine:**
|
||||
- Scene momentum (does story move forward?)
|
||||
- Chapter pacing (fast/slow appropriate to content?)
|
||||
- Transitions (smooth between scenes/time?)
|
||||
- Balance (summary vs scene, action vs reflection)
|
||||
- Dead space (sections that drag)
|
||||
- Chapter hooks (end on tension/question?)
|
||||
- Information reveal timing
|
||||
|
||||
**Common issues:**
|
||||
- Slow opening
|
||||
- Info dumps
|
||||
- Repetitive scenes
|
||||
- Lack of scene variety
|
||||
- Uneven pacing
|
||||
- Flat momentum
|
||||
- Scenes that neither advance plot nor develop character
|
||||
|
||||
## Dialogue
|
||||
|
||||
**What to examine:**
|
||||
- Naturalism (sounds like real speech)
|
||||
- Subtext (characters don't always say what they mean)
|
||||
- Character voice (distinct per character)
|
||||
- Purpose (moves plot/reveals character/builds relationships)
|
||||
- Info-dumping (exposition disguised as dialogue)
|
||||
- Tags and beats (attribution clear?)
|
||||
|
||||
**Common issues:**
|
||||
- On-the-nose dialogue (too explicit)
|
||||
- Info dumps in conversation
|
||||
- All characters sound the same
|
||||
- Unnatural speech patterns
|
||||
- Too much exposition
|
||||
- Unclear who's speaking
|
||||
- "As you know, Bob" syndrome
|
||||
|
||||
## Prose & Technical
|
||||
|
||||
**What to examine:**
|
||||
- Sentence clarity and variety
|
||||
- Show vs tell balance
|
||||
- Filter words ("saw", "heard", "felt")
|
||||
- Passive voice (excessive use)
|
||||
- Word choice (precise, appropriate)
|
||||
- Purple prose (over-description)
|
||||
- Repetition (word choice, sentence structure)
|
||||
- Grammar and technical errors
|
||||
|
||||
**Common issues:**
|
||||
- Telling instead of showing
|
||||
- Filter words distancing reader
|
||||
- Monotonous sentence rhythm
|
||||
- Unclear action/description
|
||||
- Excessive adjectives/adverbs
|
||||
- Weak verb choices
|
||||
- Confusing pronoun references
|
||||
- Repetitive sentence structures
|
||||
|
||||
## Audience & Genre Fit
|
||||
|
||||
**Genre-Specific Considerations:**
|
||||
|
||||
**Fanfiction:**
|
||||
- Canon adherence vs divergence (as intended)
|
||||
- Character voice matching source material
|
||||
- Reader expectations for ships, battles, favorite characters
|
||||
- Update frequency and chapter hooks (if web serial)
|
||||
|
||||
**YA:**
|
||||
- Protagonist age-appropriate
|
||||
- Pacing fast enough
|
||||
- Romance/relationships age-appropriate
|
||||
- Coming-of-age themes
|
||||
|
||||
**Literary Fiction:**
|
||||
- Prose quality high
|
||||
- Thematic depth
|
||||
- Character complexity
|
||||
- Subtlety over explicit
|
||||
|
||||
**Web Serial:**
|
||||
- Chapter hooks and cliffhangers
|
||||
- Consistent posting structure
|
||||
- Reader engagement hooks
|
||||
- Pacing for serial format
|
||||
|
||||
**Traditional Publishing:**
|
||||
- Opening hook strong
|
||||
- Pacing professional
|
||||
- Meets genre expectations
|
||||
- Marketability
|
||||
|
||||
**Fantasy/Sci-Fi:**
|
||||
- Worldbuilding clear but not info-dumpy
|
||||
- Magic/tech systems consistent
|
||||
- Lore revealed naturally
|
||||
- Balancing exposition with story
|
||||
|
||||
**Thriller/Mystery:**
|
||||
- Pacing maintains tension
|
||||
- Clues planted fairly
|
||||
- Red herrings work
|
||||
- Satisfying resolution
|
||||
|
||||
**Romance:**
|
||||
- Relationship development central
|
||||
- Chemistry between leads
|
||||
- Satisfying romantic arc
|
||||
- Genre-appropriate heat level
|
||||
|
||||
## Universal Craft Principles
|
||||
|
||||
These apply regardless of genre:
|
||||
|
||||
**Emotional Resonance:**
|
||||
- Reader can connect with characters
|
||||
- Emotional beats land
|
||||
- Stakes feel meaningful
|
||||
- Tension exists
|
||||
|
||||
**Clarity:**
|
||||
- Reader can follow what's happening
|
||||
- Scene goals are clear
|
||||
- Action is comprehensible
|
||||
- Transitions work
|
||||
|
||||
**Consistency:**
|
||||
- World rules stay stable
|
||||
- Character abilities don't fluctuate randomly
|
||||
- Timeline makes sense
|
||||
- Tone remains appropriate
|
||||
|
||||
**Purpose:**
|
||||
- Scenes have reason to exist
|
||||
- Details serve the story
|
||||
- Nothing feels arbitrary
|
||||
- Reader trusts the author
|
||||
|
||||
---
|
||||
|
||||
**Remember:** This is a reference, not a prescription. Some stories will have issues not listed here. Some listed issues won't apply to certain stories. Trust your judgment.
|
||||
Reference in New Issue
Block a user